Vandalism was published in October 2015 by Merlin Publishers. The journey involved in the writing of the novel was itself intense and far from straightforward or easy. I began writing the book in 1997 during what was one of the most difficult periods in my life. In 2004, by which time I’d moved from Cardiff back to my hometown of Glasgow, I revisited the manuscript and in 2013, by which time I was living and working in Malta, I spent the summer editing the book for what, as it turned out, was to be the final time.
As my life changed, somehow Vandalism remained and continued, perhaps, to haunt me as Shirley Whiteside observed in a recent radio interview [Booked on Pulse 98.4, 8 January, 2017] Since its publication, the journey of the book has progressed in so many diverse and unexpected ways. Widely distributed in Malta, in May 2016, it also went on sale in Waterstones Byres Rd, slap-bang in the heart of the West End of Glasgow where the novel is set. As if that wasn’t enough, it sits alongside books by brilliant and prestigious writers whose work I admire immensely: Joseph Heller’s Catch 22; Murakami’s Norwegian Wood; and Italo Calvino’s If on a winter’s night a traveller, which has a curiously specific place in my own personal history.
In 2016, it was shortlisted for Best Novel by the National Book Council of Malta. Again, something I could never have imagined during the life in which the novel took shape and finally found its way to publication.
All of these things surprise me but what possibly overwhelms me the most is the response Vandalism has received from readers and the precise nature of this response. For me, in the actual writing of the book, I wasn’t fully aware of reaching out to any reader. I was writing because I needed to write and I needed to write this particular story as it unfolded in the process. Maybe the act of writing is always and in itself an act of reaching out to someone or something outside of oneself, but I could never have anticipated the very strong and deeply personal reactions evoked by the book and expressed in such thoughtful detail by the people concerned.
I want to include these together because, combined, they suggest that Vandalism, a ‘story of life, love and death’, is both a specific story set in a particular time and place and also one that speaks to a variety of readers with their own experiences of ‘grief and desire, of longing, love and love.’ For this and all of the following comments, I am beyond grateful.
“Just finished reading Vandalism by the talented writer Lizzie Eldridge. Written as a novel the experience of reading it is intense and dramatic. The authentic voice of Moira draws the reader in challenging us not to pass judgement as events unfold “Do not dare condemn unless you are absolutely uncertain of your own unfailing and unquestionable credibility”. The novel is beautifully written and raises existential questions about love, life and the impact of the individual on those around them. It is impossible not to grow a little reading Vandalism. The backdrop of the book- the West End of Glasgow (like the characters of Moira and Connie also my teenage home) adds to the novel which equally could have been set at anytime in history anywhere in the world.” – Kate Lovett
“I have just finished reading Vandalism. The last chapter had me crying, and then laughing. It is so melancholically real and you manage to capture every emotion so beautifully. I felt everything she went through, it is beautiful my dear, it is duende. You have it in bucketfuls. I cannot say it better than you did yourself, so here, in your own words, for you: ‘A beauty that reaches to the very heart of your soul. Duende. Just like the fullest moon.'” – Ann Sammut
“I finished this book a week ago and yet I feel it is still lingering, and I’m still forming opinions on it. Eldridge succeeds in telling a story with a number of touchy subjects at the forefront in a realistic manner, without protecting the reader. The voice shifts tenses, internalises and implodes, then talks to the ‘you’ of different characters. This confused me at first, but as I got to the thick of it, I could see that this was a succesful and realistic tool. As I closed the last chapter I already started to miss the characters. I wanted to know more. I wanted to fill in the gaps.” – Miriam Galea
“Lizzie your book was amazing and I can’t wait to read more of your work. There is definitely a sequel in Vandalism. I really got so much from the book, it provoked so much emotion in me that I had to revisit painful memories of my own life.” – Marion Paton
“Just finished reading Vandalism and wiping away the tears. I couldn’t put it down. Congratulations! (I would have bought it on the strength of the cover alone – amazing image.” – Louise Singleton
“Almost finished this beaut and I’ll be sorry to have to put it down. A truly touching, thoughtful wee gem and resonant contemplation on relationships and love.” – Andrew Galea
“I have just finished Vandalism… And It engaged me so much that I read it in a week!! A very strong story about feelings and doubts and fear… Wonderful…and I have the handicap of being Spanish and my English is not very good…Congratulations!” – Regina Perez Garcia
“The full gamut of emotions, regret, sadness, but also good memories of times shared in Glasgow. Great writing…The moon night was very moving…It was all very evocative of the Glasgow I remember which is almost the only one for me since I left so long ago. I read it every day on the bus to work and it stayed with me.” – Drew Anderson
“It is so lovely to experience a novel which celebrates the frailty of life and love without sugar-coating and sentimentality. The beauty of humanity is in the flaws, and Eldridge shares these imperfections with great skill, sensitivity and above all honesty.” – Marie Keiser-Neilsen
“Just finished reading Vandalism this second and had to write to tell you “WOW! What an amazing read!” Started it yesterday morning and haven’t been able to put it down. It’s so intense! You very cleverly put into words so many emotions and thoughts which us lesser verbally-challenged mortals find so hard to describe. A very BIG WELL DONE to you, my friend.You’ve done a brilliant job. Will definitely be recommending this one!” – Catherine Vassallo
“I like when the book which I have just read rattles inside my head and makes me think. I finished reading the last page of Vandalism yesterday on the bus on the way to work and my mind was filling up immediately with different thoughts and questions.
For me this book really wasn’t about a romance, but about fear and lowliness. Fear of what can be said or thought, fear of being honest with yourself and the fear of simply being with yourself in silence, fear of hearing the truth from your own self from the place very deep inside.
The lowliness of the main character was one of the most interesting motifs in ‘Vandalism’. I had an impression that Moira was living behind some kind of invisible glass wall. She was heard and she was being heard but she didn’t ever leave her comfort zone of lowliness. The only true friend who was able to speak to her without the barrier has died. There was no other person in the world who was able to pass Moira’s invisible guard.
The men around Moira seem to be only a promise of something sure, stable and the promise of being emotionally safe. Something which Moira couldn’t gain with her own company.
Finally the lowliness of Moira evaluated to confrontation with her feelings and the decision which can only be made without any advice from others, with no false and confusing whispers, but in the silence of her own inner voice.” – Magdalene Kasperowicz-Swanson